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In the tradition of Being Mortal, Brandy Schillace looks at what we can learn from the incredibly diverse ways in which humans have dealt with mortality in different times and places
Death is something we all confront―it touches our families, our homes, our hearts. And yet we have grown used to denying its existence, treating it as an enemy to be beaten back with medical advances.
We are living at a unique point in human history. People are living longer than ever, yet the longer we live, the more taboo and alien our mortality becomes. Yet we, and our loved ones, still remain mortal. People today still struggle with this fact, as we have done throughout our entire history. What led us to this point? What drove us to sanitize death and make it foreign and unfamiliar?
Schillace shows how talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together―conversation and community are just as important for living as for dying. Some of the stories are strikingly unfamiliar; others are far more familiar than you might suppose. But all reveal much about the present―and about ourselves.
B&W illustrations throughout- Sales Rank: #364218 in Books
- Published on: 2016-01-04
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.00" w x 6.40" l, .0 pounds
- Binding: Hardcover
- 336 pages
Review
“An informed but not overly academic pop culture look at death and dying in cultures around the world.” (Cleveland.com)
“Schillace examines rituals of bereavement across cultures and across time. She points toward the confusion that has emerged in a technological age when brain death, heart death and other definitions becloud our understanding of expiry itself. We don't know what death means or even what it is.” (Andrew Solomon - The New York Times Book Review)
“Schillace’s explorations are extensive and interdisciplinary, drawing on research in the sciences but also valuing the many expressions of death in the arts. With her personable voice, she is able to breathe compassion into what might otherwise be a depressing topic. Endlessly fascinating. This vibrant window to other lives also creates a deeper understanding of one’s own” (Publishers Weekly)
“At once scholarly but also infused with personal narrative, Death’s Summer Coat has something to offer everyone.” (Paul Koudounaris, author of HEAVENLY BODIES and THE EMPIRE OF DEATH)
“The book opens by surveying a wide swath of mourning customs from around the world, practices that Schillace holds up, usually to their advantage, against the customary funeral-home funeral of the modern West. As death became medical, it became something to be fought or fixed, and in these parallel shifts―from the religious to the medical, and from the communal to the private―Schillace perceives the forces behind our misaligned contemporary attitudes about mortality.” (The New Yorker)
“Schillace writers glowingly of a growing movement to counter the death-denying attitude of Western society. Wide-ranging and surprisingly easy reading.” (Kirkus Reviews)
“A lively, panoramic view of our approach to death and dying that asks essential questions, and offers important insights, into the inevitable.” (Bess Lovejoy, author of REST IN PIECES)
“In this thoughtful, wide-ranging examination, Schillace looks at how cultures worldwide have dealt with death, both in the past and present. Rituals that reflect a communal understanding of the pain felt by survivors can help ease the sting of loss, she points out, while modern western society looks at grief as an abnormal state, or assign it a timetable. The book offers no single answer or prescription, but it proposes we at least start the conversation.” (Boston Globe)
“Vivid, scholarly, enthralling, and surprisingly touching, Death’s Summer Coat is skillfully stitched together.” (Rupert Callender, editor of THE NATURAL DEATH HANDBOOK)
“Schillace raises a lot of questions surrounding the issue of mortality, leaving readers to form their own answers.” (Library Journal)
About the Author
Dr. Brandy Schillace writes about culture, the history of medicine, and the intersections of medicine and literature. She is the Managing Editor of the international health journal Culture, Medicine and Psychiatry and teaches at Case Western Reserve University, Cleveland, Ohio. Brandy has lectured at the New York Academy of Medicine and writes for The Huffington Post and InsideHigherEd, among other publications.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Schillace's rich and fluid narrative will take you on an unforgettable and necessary journey!
By TVJ
I came across this book when I was receiving it into Boston College Libraries. At the time, I was thinking about my own lack of training and experience with death, grief, and death memorials. I am, after all, a product of my time...modern, secular, nomadic, stubborn, male, and lacking any community roots. As a recent resident of the Colonial town of Hingham, MA., I am mesmerized with the cemetery in my adopted town. It's beauty, serenity, and grandeur, made me start thinking about how I would like to approach death with grace and calm. Medical Humanities writer, Brandy Schillace, took me on a historical, mysterious, spiritual, multi-cultural, and modern tour of humanity's living and loving "dances with death" that informed, instructed, stimulated, inspired, and calmed my spirit. She made me want me to learn more about having a healthy living-relationship with inevitable death. Her rich and fluid narrative will take you on an unforgettable and necessary journey, especially if you are hungry to understand, accept, and celebrate life as long as you can. A necessary read!
1 of 1 people found the following review helpful.
Not much here...
By CJ
This is a poorly organized and poorly written book. It might be OK for you if you like stream-of-consciousness writing in this modern ADD age, but if you are expecting an organized, outline-oriented non-fiction book that used to be the norm then you will be disappointed. The author just picks and chooses examples under a topic and then moves on without much explanation. For example, near the end of the book the author mentions "green burials" for several pages but never tells the reader what is meant by that term or fleshes out the concept. It seems as if this book started life as an article on Victorian-age death photography and then was heavily padded into something bigger.
1 of 1 people found the following review helpful.
good read for hospice volunteers
By C. Shoemaker
If you are interested in death and the process of dying, this book is for you. good read for hospice volunteers. well rated by NY Times. Read the review.
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